ER --

"ER--"?!?

That's the only sign of surprise these guys show. I guess you develop a high threshold when you live in a Wolverton comic.

More wonderfully off-kilter weirdness from Wolverton

There's some question about who drew the cover but even without the byline there would be no doubt who's responsible for "Swamp Monster."

Love those fangs.

Himan Brown -- master of the Inner Sanctum dies at 99

As mentioned before, Brown's radio show, Inner Sanctum was one of the main inspirations for EC's horror line, which is more than enough to put the man in the comics hall of fame.

From the LA Times:

Himan Brown, the pioneer radio producer and director of "Grand Central Station," "Inner Sanctum Mysteries" and other popular shows of the 1930s and '40s who returned to the airwaves three decades later with " CBS Radio Mystery Theater," has died. He was 99.

Brown died Friday of age-related causes at his longtime apartment on Central Park West in Manhattan, said his granddaughter Melina Brown.

In a career in radio that began in the medium's infancy in the late 1920s, the prolific Brown's credits include "The Adventures of the Thin Man," "Bulldog Drummond," "Dick Tracy," "Flash Gordon," "The Adventures of Nero Wolfe," "Terry and the Pirates" and many others.

Along the way, he directed stars such as Orson Welles, Helen Hayes, Edward G. Robinson, Mary Astor, Boris Karloff and Peter Lorre.

"He was one of the great storytellers of the heyday of the golden age of radio," said Ron Simon, curator of television and radio at the Paley Center for Media in New York City. "He symbolized an entire era of dramatic radio entertainment."

Brown may be best remembered for creating "Inner Sanctum Mysteries," which debuted in 1941 and ran until 1952. The show's opening featured one of the most famous sound effects in radio history: an eerie creaking door.

"That great sound effect just gave you a sense of mystery and suspense, symbolizing Hi Brown's flair for the dramatic," Simon said.

Long after the rise of television, Brown returned to radio to produce and direct the Peabody Award-winning "CBS Radio Mystery Theater," which ran from 1974 to 1982.

What's wrong with comic book fans -- fictional biography edition

Intellectual Amos was a feature that ran in the back of the Spirit Section (greatest comic book ever, but that's a topic for another day). Its creator was a talented Haitian-born artist named Andre LeBlanc best known for his illustrated Bible.

I know this because the good people at Lambiek have a biological sketch on LeBlanc. You can also find an entry on Andre LeBlanc in Wikipedia. The only trouble is that it's not an entry on the artist; it's an entry on a fictional DC Comics villain probably named after the artist (though that fact isn't mentioned).

The only thing more boring than a fictional biography of a comic book character is a retconned biography. None of what's good about comics -- either as works of art or pieces of entertainment or business case studies or historical documents -- makes it into these dreary, badly-written Cliff Notes.

OK. I've got it out of my system. You can come back now and enjoy this story from July 9, 1944.

Eisner's effects

Jules Feiffer famously called Eisner the artist other artists stole from. I believe he was talking about the late Thirties and early Forties when Eisner was spewing out art and scripts and characters at an astounding rate and advancing the medium on an almost daily basis.

But as amazing as that work was, it still had a callow quality. The Spirit was, for me, the first fully mature, fully realized comic. There had certainly been entertaining, even great comics before but I don't think anyone before had used the medium to this extent before. Here's an example in a clever story involving an evil spymaster, a wind-up Spirit doll and two pairs of similar looking glasses

Here are the last two pages (I think you can piece together the plot up to this point). Pay close attention to the top of the final page.

Look at how the path of the bullet both connects the panels and conveys a distinct sense of time. Eisner came up with an entire library of methods for depicting the passage of time and, true to Feiffer's words, you can find artists stealing them to this day.

Calling all artists

"It... is... later... than... you... think..."

The last post got me thinking, I don't know if someone has already tried this but the Light's Out scripts of Wyllis Cooper and Arch Oboler would make great comic books.

Here's a list of notable episodes from Wikipedia:

• "The Ugliest Man in the World", a sentimental tale of a hideously deformed man seeking love in a cruel world, inspired by gentle Boris Karloff's typecasting in horror roles, and enlivened by strikingly expressionistic dramatic effects.

• "Profits Unlimited", a still-relevant allegory on the promises and dangers of capitalism.

• "Bathysphere", a political thriller about a scientist and a dictator sharing a deep sea diving bell.

• "Visitor from Hades", about a bickering married couple trapped in their apartment by a hellhound.
  

• "Come to the Bank", in which a man learns to walk through walls, but gets stuck when he tries to rob a vault.

• "Oxychloride X", about a chemist who invents a substance that can eat through anything.

• "Murder Castle", based on the real-life case of H. H. Holmes, Chicago's notorious serial killer.

• "Spider", in which two men attempt to capture a giant arachnid.

• "The Flame", a weird exercise in supernatural pyromania.

• "Sub-Basement", which finds yet another husband and wife in peril—this time trapped far beneath a department store in the subterranenan railway of the Chicago Tunnel Company.

Listen to them here -- really amazing stuff.

Frankie, Raymond and the birth of EC

At least the birth of EC's horror line which was inspired by what was thought of, even in the Fifties, as old time radio horror shows like Inner Sanctum (which featured the creepy, pun-loving host, Raymond) and Light's Out (which had stories every bit as violent and disturbing as anything EC ever published as well as a progressive political viewpoint similar to that of Gaines). Sanctum has dated badly but most of Light's Out remains effective to this day (listen for yourself here).

With that out of the way...