The opening spread and the next couple of pages were so damned brilliant...nobody could match Toth for expressing movement and speed on a comic page.
At the opposite end of the spectrum, check out the beautifully composed panel with the father and son at the abandoned racetrack. I just saw a Kubrick exhibit at LACMA that included both his work as a photographic prodigy and stills from his film. One thing that struck me was that every still was a great photo and yet the films themselves were completely cinematic. Toth has something similar. There are plenty of panels here that can stand by themselves but they all work beautifully together.